THROUGH THE LOOKING GLASS...
This week we're delighted to be bringing you a series of guest blogs from Quint-Collective member, MJ HODGE, in advance of her upcoming solo exhibition of fantastical art and illustrations.
We love MJ's work, full of hope, aspiration and playfulness. We'll let Melanie explain the process.
Conway Hall, 25 Red Lion Square, London WC1R 4RL
www.mjhodge.co.uk
For more details follow MJ Hodge - Art & Illustration on Facebook and Instagram
The
Technique:
Reverse
Glass Painting
Beginning
with a clean piece of ordinary window glass, the artist starts by
signing their name - backwards.
Following
the signature, the artist next paints the finest, foreground details.
Once the paint is dry, more details, layers and background motifs can
be added. A second layer of paint may also be added for richness of
tone. This process is repeated until the artist is satisfied or has
run out of glass.
Usually,
but not always, the artist works with a sketch under the glass. I
sometimes draw it twice: first as it looks in ‘real life’ and as
it should appear in the final painting, and then tracing it onto a
transparent plastic sheet which I can flip over. Once flipped I am
able to view the image in it’s mirror reflection and check it for
balance and secret symmetries.
When
I first started in this technique I was told that reverse glass
painting is not for the impatient. And it’s true. The Croatian
Naive has influenced not only the way I paint, but also impacted on
how I approach almost every aspect of my creative work as I’ve
learned my patience the hard way.
To
begin with, nothing can be rushed. Oil paints can take anywhere from
three days to two weeks to dry, depending on their pigment and
viscosity. This can be a bonus as I lay down brushes for the school
run, but it also means that very little can be done ahead of the
previous layer’s drying time.
Next,
it takes a steady hand to paint everything from the pin-prick details
to writing my name backwards. This is particularly true of the stars
which I paint over many hours, across many days, with a cocktail
stick. But it also means, that when it’s time for a pause, I stop.
I know that forcing any part of the painting to happen faster only
leads to heartbreak.
Therefore
most of my paintings take a minimum of six months before they are
finished and dry enough for me to step away from them for the first
time to see the full effect. That moment is absolute magic - for
until that moment I really don’t know what kind of painting I’ve
created or if I’ll even like it.
Some
paintings can take longer though, particularly if there are many
galaxies of stars: for ‘Naive Dreamer’ I spent over 40 hours just
painting the stars. And some paintings take years: I started painting
my ‘Seeking Harmony’ series in 2011 but only finished them in
2014 after a long break. In my studio I have sketches for paintings
that date back to 2010, still waiting for their chance to reflect on
the world.
creativeCroatia
-
bringing
contemporary Croatia to London in 2015
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